Please hold…

Not that you’ll notice the difference but I’ll be travelling for SIX WHOLE WEEKS! I’m not as organised as last time, so I haven’t scheduled any posts while I’m away.

Be well everyone. I’ll looking forward to blogging on my return.

In the meantime, please hold…


Classical Note

I love music, but I’m not particularly musical.

I can play the piano but I’m somewhat restricted by my repertoire. I have zero gift for improvisation and I’m unable to play sheet music at first sight unless the tempo is glaciale (yes, I made that up) – and even then, I can make no promises. My preferred audience is my cat, but unfortunately he hates me playing and will either meow at me, make a point of leaving the room, adjust his sleep position to ensure he’s on his ears or jump up onto the keys/hands/lap/anything-that-might-make-me-stop. My personal favourite is when he plonks himself on the low notes and just stares at me.

I’m also pitch imperfect which, on a positive note, allows me to play my old and un-tuneable piano. Miraculously, my husband who’s has perfect pitch has not yet divorced me.

I love music though and I rarely do anything at home without a soundtrack.

Although musically inept, I’m ridiculously pedantic about certain musical etiquettes. This IS entirely MY problem but I wish to enlighten anyone willing to listen so we can share the same, inane first-world-problem. And then we can be frustrated together – yay!

Rhythmic displacement – otherwise known as clapping on the wrong beat. Its disjointed effect and its seamless correction is shown in the clip below by the skillz of Harry Connick Jr.

Also, I have an issue with applause.

I promise, I’m not anti-clapping per se.  How can clapping even be wrong?

Well, since I asked myself on your behalf – it can be wrong at classical music concerts.  I struggle when people clap between musical movements. Which is, essentially, before a piece has finished.

The last concert I attended accentuated this issue – The Symphony of Sorrowful Songs by Henryk Górecki.

If you are unfamiliar with this work, it is as it sounds – profoundly slow, expressive and mournful – the words taken from the walls of a Gestapo prison. The first time I heard it in my teens, it froze me in my tracks. It is exquisitely beautiful and emotive.

The silence is part of it. More than any other piece, it deserves the silence.

*Awkward silence*

So, any thing small but musically significant frustrate you? I will not accept answers which include folk who are, allegedly, musicians.

Meanwhile, I’ll be on a musical bridge getting over it.

Relative Worth

I don’t like to talk about money. Money depresses me.

I look at its flimsy, printed form and wonder at the power it has over our lives despite the fact I could easily set it alight. Or at least, with the Australian notes, melt it into a smouldering, carcinogenic puddle.

My disdain for money though, is a whole other blog post and I need to set that particular rant aside so I can discuss the money aspect of thrift shopping at flea markets.

Worth of the monetary kind is not a static thing. Buy a brand new car and its value instantly depreciates as you drive it out of the yard. Most other things are the same – items are unlikely to hold their value unless they’re exceedingly popular, rare and/or old and/or in exceptional condition and/or of supreme quality. Or you can prove Elvis licked it.

Even then, who knows.

What something is worth simply equates to what someone is willing to pay. The right buyer will pay more. While my husband would pay you to take my stuff away.

When browsing flea markets, I struggle to ask about items when they aren’t priced. Occasionally, you’ll get a seller who’ll look you up and down as they try to ascertain what they think you’ll be willing to pay. Then, of course, there’s The Haggle. I’m not good at haggling.

I like people to say what they mean, and I wish the same applied to pricing. I know from experience that some sellers price things expecting to be haggled down but I struggle to haggle, even on over-priced goods. Also, I don’t think it’s right to haggle with someone when the item is clearly worth what they’re asking – which I’ve observed people do, but then that’s also a matter of opinion. Gah! *sigh* The only time I ask for a better price is when I’m willing to walk away.

I have another strange level of perspective. I buy most things second hand, but one thing I love to buy – and buy new – are beautiful gift cards. In Australia, cards currently range from $5- to $7- and I willingly buy this little piece of art to give to someone. Why does this matter? As a regular market goer, it’s easy to lose perspective – sometimes it’s good to remind yourself you’re buying an oil painting for the price of a card, or a card for a nineteenth century book or a piece of handmade pottery.

If you’re a seller of second hand goods and you wish to sell them at a flea market, you need to let go of what you paid for it five years ago. If it’s old, you need to forget what you saw it for in an antique shop or its going rate on eBay. Although this information can offer perspective for the seller, buyers are still looking for a fair flea-market-price. Regular stall holders at flea markets tend to sell fewer items for more gain but if your aim is to move stuff on, cheaper is better – you’ll also have less to lug back home.

Having said that, it’s okay to stand your ground. When I’ve cleared some clutter and held a stall at a flea market, I’ve had things I’d rather not sell than sell them for a pittance. I find if these items do sell, they’re more likely go to someone who loves it as much as I do.

Any questions?

Happy marketeering, my friends.


It seems appropriate, after my last post that D will be for dogs, because I do have a few dogs of the non-living variety.

One day, I hope to own one of the living variety but currently, I work too much and we need fences. My parents have a gorgeous little Jack Russell Terrier mix who brings me joy in the meantime. As do these little ones…


The dogs I like tend to have a certain look. Top: Bought this one in an op-shop in the UK in 2013 – he’s quality but home-made. The others are market finds, usually a few dollars each, the middle dog is the tallest at 15cm tall (or 6 inches in old money).


The gruff bulldog on the left is painted plaster, circa 1920. The terrier at the bottom right is a nice quality Sylvac copy.

Also, you may notice, my dogs like living in amongst my books.

Collecting Collections

I collect things I like.

This exactly.

“But what kinds of things do you collect?”

Things I like.

“Are you being evasive?”

No. Just intentionally vague.

Which is different.

*Awkward silence*

I have an affinity for dog ornaments.

“Okay! So, you collect dog ornaments.”

Only ones I like.

“I’m starting to see your point.”

I happen to have a lot of candlestick holders too.

“Because you like them?”


I have a lot of things I didn’t intend to collect.



Top centre candlestick holder is one of my favourites due to the counter balance.


You don’t realise how many of these things you have until you bring them together…

Hoarding Broken

When I was seven, I stood by a basket of toys for sale.

My grandfather said I could pick one and being the sort of person that loved everything, and despite the fact they were essentially identical, I ran my hands through them for some time as I decided which one I would take home. These days, you’d barely call them toys – they consisted of a pair of googly eyes attached to a strip of dyed sheep’s skin and they ‘crawled’ along when you stroked them.

I took the one with a google missing from its eye. The little black dot that rolls around beneath the plastic dome. I took it because it was different. I took it because I didn’t think anyone else would appreciate it.

Maybe this explains a lot about the kind of things I collect and save now.

Perfection in imperfection

Stories in scars.

Beauty in broken.


Chipped all over and glued back together in three places, this plaster girl with a distant gaze and great eyebrows asked me to take her home.


On the left, the dome-girl with no hand. Top right, a mouldy watercolour to be cleaned and reframed. Bottom right, a print (circa 1910) in a damaged frame.

I don’t necessarily restore the pieces I save. Broken is more honest.

Sometimes, broken is better.

Ancestry Obsession

Sometimes, I toy with the notion that I would have been a great detective. You know, had the opportunity knocked. Had Sherlock Holmes needed a Wally instead of a Watson. Had Poirot been the sort to hire a sidekick. Had both those characters been real outside of my mind.

I love a mystery. I love a story. I love the stories of objects.

This bring me to the Bible of Jesse Wallis. I’ve mentioned before that I have a collection of old Bibles and prayer books. Not because I’m especially religious but because they are so tactile and so treasured. I think of the hands they have touched as they were passed through the generations.

Of course, I bought it at a market and although it’s not in the best condition, it’s dated 1847. Pleasingly, when I got it home I found it was full treasures – two receipts from a saddlers dating 1895, a bookmark and a love token probably dating from around 1915.


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The inscription on the inside cover tells me it was gifted to Jesse by a clergyman. The back of the book lists the date of his marriage and the births of his children.

How can I not ask more questions? How do I contain my curiosity when I possess enough information to know more?

[Insert timelapse of my computer-based research frenzy]

Like many colonial Australians, Jesse was a convict. More unusually, he could read and write. His records say he was 5’3” and was born in Berkshire. At the age of fifteen he was found guilty of arson and received fifteen years transportation. His convict record was exemplary – his report card is blank – instead Jesse states he’s innocent of his crime. He received his ticket of leave within five years (like parole) and was pardoned in ten.

Curiosity feeds curiosity.

What of his family? What happened to them after he was transported? The detail of his records allowed me to trace his family back to England and the 1841 UK Census. A search on his father revealed he too was convicted with his son and received transportation for life! I traced his mother to the 1851 Census and she listed herself as a pauper and a widower. I could not trace his brother.

The receipts contained with the Bible pertain to Jesse’s daughter, so the Bible remained within the direct family for at least two generations.

This is what happens. Whenever I have an object that peeks into another life – I must explore it. What happened? How long did they live? Often I struggle to stop.

Once, such research allowed me to reunite a photo album with its family. I once found a book belonging to a friend’s great grandfather. I observe the movement of objects. I recognise the history objects contain and I protect them until there’s (hopefully) another person who values that too.

This is weird, right?